In this series of light arrangements studies, I’ve used the city streets of Broadgate London as my canvas. City lights is the ink and my camera becomes a drawing tool, capturing these fleeting movements in light.
An important part of the process for me is to record the sounds of the city as I walk through, taking long exposure photographs. I correlate the different sounds I hear, cars going by, people talking, traffic passing by, to match the sequence of the neon lights as they turn on and off. I’m searching for ways to embody the real-time kinetics of the original Cartography, activating the space with dark pauses in one instance and bright glows the next.
As the camera moves when I walk, accidents occur, recording unexpected images and adding spontaneity and playfulness to the light drawings. Objects and people also imprint as black marks, as they obstruct the lights from the traffic and city lights.
I later deconstruct and visualize these photographic images in three-dimensional neon installations, translating the urban setting into to kinetic light pulses.