Kevin Killen is a Belfast based sculptor whose practice focuses on making hidden systems of movement and connection visible through light, structure and form. Combining light, line, structure and site-specific research, he creates public artworks and sculptural installations that translate journeys, routes, gathering patterns and fleeting moments into physical form.

His work often begins with walking, mapping, photography and close observation of place. Using light as both material and drawing tool, Killen captures traces of movement that are usually temporary or unseen, transforming them into sculptural works that hold memory, rhythm and connection within public space. His works often act as snapshots of lived experience, representing people’s physical journeys, repeated gestures and shared movement through the built environment.

Killen obtained a BA (Hons) in Fine Art from the Surrey Institute of Art and Design University College, now UCA, in 1999, and undertook specialist training in neon making in Dallas, Texas, in 2009. His hands-on knowledge of neon, light, fabrication and installation remains central to his practice, allowing him to develop works from initial concept through to making, engineering and final installation.

Recent and selected public artworks and light based projects include Journeylines, York Street, Belfast, 2023/24; Murmur, Market Place Theatre and Arts Centre, Armagh, 2021; Artificial Sunlight, The Argory, National Trust, County Armagh, 2018; Tipping Point, QSS Bedford Street, Belfast, 2016; Infinity Studies: Monotony; Capillarium; Murmuration; Nexus; and Reflections, Belfast Grand Central Station.

Selected exhibitions include Ireland Glass Biennale, Dublin Castle, 2023 and 2019; Bending Glass, Flax Art Studios, Belfast, 2022; LUX, Solstice Arts Centre, 2018; CAST, Luan Gallery, Athlone, 2018; Sculpture in the City, London, 2017; Dissolving Histories: A Moment in Time, Golden Thread Gallery, Belfast, 2017; Tipping Point, QSS Bedford Street, Belfast, 2016; and A1, F.E. McWilliam Gallery, Banbridge, 2015.

Killen’s work is held in a number of public and private collections, including the Arts Council of Northern Ireland, Belfast City Council, Queen’s University Belfast and Belfast City Hospital.

Selected publications include New Glass Review 39, The Corning Museum of Glass, USA, 2018; Sculpture Magazine, USA, September issue, 2017; and Frieze.com, 2017.